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      <image:title>words - Typography in Early 20th Century Package Design</image:title>
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    <lastmod>2026-06-25</lastmod>
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      <image:title>Lexington</image:title>
      <image:caption>Specimen sheet for MULLION HEAVY</image:caption>
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      <image:title>Lexington</image:title>
      <image:caption>Full Signage System: Town of Huntsville (design inspired by local vernacular cottage signage)</image:caption>
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      <image:caption>Illustration work for TO360 mapping system.</image:caption>
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      <image:caption>MULLION HEAVY specimen</image:caption>
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      <image:caption>When engaged in heritage conservation work, research and resources can sometimes be found in unusual places. One particular piece of important reference came in the form of a 24 page promotional booklet made for the first major addition and update to the Royal York Hotel in 1957, offering an unparalleled insight into the colour palette, textures, and even the lighting choices and furniture as they actually were. Even though promotional materials like flyers and booklets are easily saved artifacts, as far as anyone could tell between the Canadian Pacific Railway Archives and the private collection of the Royal York, this book was the only known available copy: So, ERA Architects was asked to make a faithful replica and to produce a limited edition run in honour of the hotel’s grand history. (Specs: 12”×8”, 24pages, saddle stitched, 6-colour, including special die-cut and newly made multi-level embossing plate). Supplemental historical research: ERA Architects and Carl Shura; Design, image scans &amp; colour-correction, digital typesetting, recreated graphics &amp; hand-lettering, and digital pre-press produciton: Carl Shura.</image:caption>
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      <image:title>Lexington</image:title>
      <image:caption>Full recreation of historically significant marketing brochure: Royal York (Canadian Pacific), 1957.</image:caption>
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      <image:caption>Carved stone wall, UofT, Simcoe Hall: FUGUE custom font.</image:caption>
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      <image:caption>FUGUE font revival derived from Roman Capitals in Pacioli's De Divina.</image:caption>
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    <image:image>
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      <image:caption>The Department of Bears: tote bag.</image:caption>
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      <image:caption>The Department of Bears: sweatshirt.</image:caption>
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      <image:caption>Custom redrawn letters from archival research.</image:caption>
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      <image:title>Lexington</image:title>
      <image:caption>Pinned letters installed at 234 Bay Street, historic Toronto Stock Exchange. Custom redrawn letters from archival research.</image:caption>
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      <image:title>Lexington</image:title>
      <image:caption>CIRCULATION SERIF, final project at The Cooper Union: Post-Grad Certificate in Type Design (2021).</image:caption>
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      <image:caption>Specimen for CIRCULATION SERIF (CA Award of Excellence in Type Design, 2022).</image:caption>
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      <image:caption>Lombard Street interpretation and public art: mural design inspired by the historic uses of the site as related to the print industry and its evolving technologies through the 19th and 20th centuries. Presented as a series of overpainted ghost-signs, the mural speaks to the layers of time and purposes relevant to the site.</image:caption>
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      <image:title>Lexington</image:title>
      <image:caption>Lombard Street interpretation panels; as a former site of importance to the print industry in Toronto, 3 panels take the form of 3 separate eras of technological advance in printing from the late 19th century to the mid-20th century.</image:caption>
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      <image:title>Lexington</image:title>
      <image:caption>Special edition illustration for ARTSPACE Winnipeg foundation (2019).</image:caption>
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